Sunday, October 20, 2019
Brueggemanns Bridge Between Form Criticism of The Psalms, Theology and Spirituality Theology Religion
ÃâForm Criticism' of the Psalms has been around for less than a hundred years. Prior to 1920's study use of the Psalms was pretty much limited to a Ãâhistorical-critical' approach and a ÃâChristological' approach. That is Ãâ" the establishing of who wrote what and why and the reading of psalms within the context of ÃâChrist', respectively. To fully appreciate how Brueggemann builds these bridges between form criticism, theology and spirituality we will first look at a basic understanding of the foundations of form criticism onto which Brueggemann offered his new schema. Secondly we shall look at Brueggemann's schema and how he builds and develops these bridges into theology and spirituality. Finally we shall be reflecting on ÃâChristian spirituality' That is; we shall be reflecting on how this schema helps us in our engagement with secular spirituality with particular reference to the area of Ãâurban hip-hop' and Ãânew punk'. I am basing my understanding and f ramework of spirituality on the work of Bob Mayo in his work ÃâMaking Sense of Generation Y' (2006). In it he proposes that spirituality can be understood in two ways Ãâ" Formative spirituality; that is a level of spiritual understanding and awareness that everyone is born with and everyone has. And secondly transformative spirituality; that is a level of spiritual understanding and awareness that builds on formative spirituality into having a personal and communal outworking. And so in answering ÃâHow does Brueggemann build bridges between form criticism of the Psalms, theology and spirituality?' I shall be addressing spirituality in a Christian transformative understanding and from a secular formative spirituality understanding. THE DEVELOPMENT OF FORM CRITICISM As stated earlier it wasn't until the 1920's and the work of Hermann Gunkel, and his student Sigmund Mowinkel, that form criticism really started. Gunkel and Mowinkel observed that the Psalms only really had a very limited framework of approaches and styles Ãâ" The Hymn, Communal Lament, Individual Lament, Royal Psalms and Individual Thanksgiving. Further work identified five further, less common categories of Psalm Ãâ" Communal Thanksgiving, Wisdom, Pilgrimage, Entrance Liturgies and finally Mixed Poems .
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